STICK CONTROL FOR THE SNARE DRUMMER PDF

Why is it so enduringly popular? There are a number of reasons, but chief among them are its thoroughness in strengthening core technique, and its wide range of application and flexibility. Its usefulness goes far beyond snare drumming as the title suggests , and is especially useful- in virtually limitless ways- when applied to the drum set. We use Stick Control because it is unsurpassed in its power to increase hand independence, in strengthening the non-dominant hand, and in many ways it gives us the tools-both technically and creatively- to play exactly what we intend to.

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Why is it so enduringly popular? There are a number of reasons, but chief among them are its thoroughness in strengthening core technique, and its wide range of application and flexibility. Its usefulness goes far beyond snare drumming as the title suggests , and is especially useful- in virtually limitless ways- when applied to the drum set.

We use Stick Control because it is unsurpassed in its power to increase hand independence, in strengthening the non-dominant hand, and in many ways it gives us the tools-both technically and creatively- to play exactly what we intend to.

Most drummers and percussionists consider it indispensable and use it throughout their career. In this article, I am going to speak of it primarily in terms of its application to the drum set. Stick Control is at first deceptively simple: an exhaustive, progressive series of sticking exercises sticking being the pattern of strokes between the hands , which begins with a series of purely 8th note passages, and gradually adds a variety of rhythmic challenges and some rudiments as well for a printable version of the Percussive Arts Society standard rudiments, click here.

This simplicity and the necessary repetition in using it correctly can lead some students to feel that it is dry, even boring; but properly implemented, it can be everything but. Page four of Stick Control gives excellent tips on how to use the book, but I will add a few ideas, and expand on some others. Of primary importance is use your metronome! Each exercise should be practiced at a variety of tempos. The reasons for mastering a sticking or other exercise to an increasingly rapid tempo are obvious; what is often less obvious- especially to the beginner- is how challenging it is to play cleanly, smoothly, and accurately at slow speeds.

Furthermore, there are a number of exercises utilizing triplets and later, other tuplets , and it is imperative that a metronome be used to ensure learning accurate execution of these. Similarly, each exercise should be practiced at a wide variety of dynamics, and for similar reasons: it is far more difficult for the majority of beginners to play very softly than otherwise, and a working drummer can be certain she will be called upon to do so at some point- probably sooner than later!

Even for more experienced players, quietly executing the more intricate exercises- or even the simplest ones at rapid tempos- will be challenging. Stone suggests practicing each exercise in repetitions of twenty i. I will join other voices in suggesting that choosing instead a period of time- say two minutes- for each may be more effective, on the grounds that actually counting all those repetitions may be more of a distraction than anything. While the book is designed to rigorously exercise the non-dominant hand, I would go further and suggest that those exercises that lead with whichever is your weaker hand be afforded more practice time.

Your weaker hand is more than likely to always be as such, but the goal is to minimize the difference! Applying the following techniques will greatly expand not only your drumming palette, but your limb independence as well.

With my own practice as well as with my students, I take a number of different approaches. For the purposes of this article, I will put them into three main categories:. All of the following examples can be practically applied in a number of ways: in creating or varying basic rock, jazz, or funk and beyond patterns, in creating fills, and in soloing. The 2nd category is even more wide open and can of course be further combined with the first.

Here are a couple of possibilities. When we consider changing the ride pattern, or incorporating the toms, the possibilities for enriching variation are truly endless.

Practicing Stick Control in these ways will not only strengthen your technique, it will open up the world of possibilities for your drumming. The more varied ways you use it, the more your palette will expand, and the more you will be ready for any musical situation the band throws your way. Aaron B. Aaron lives and teaches in Winston-Salem, North Carolina.

His Musika teaching profile can be found here. Toggle navigation Contact Us Login. Why Drummers Use Stick Control. What is Stick Control? Again, experiment! Leave a Reply Cancel reply Your email address will not be published.

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By using our site, you acknowledge that you have read and understand our Cookie Policy , Privacy Policy , and our Terms of Service. It only takes a minute to sign up. I've been drumming for about 25 years mostly metal and punk and lately, I've been leaning towards other styles of playing and I've noticed my stick control has been off more often that not maybe age? The only instructions in the book just says to practice each exercise 20 times with a metronome and upping the tempo. For those in the know, how do I know when it is time to move to the next page?

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